Logic of the Absurds :: Free Essay Writer

Logic of the AbsurdsMans fundamental bewilderment and confusion, stems from the accompaniment that man has no answers to the basic existential questions why we are a follow, why we have to die, why there is in entirelyice and suffering, all this serve as the impetus for such a thinking. Man constantly wonders about the uprightness of life and realizes that the more you expect from it, the more it fails you or may be the more we expect from ourselves the more we find ourselves engaging in a futile battle with the odds. May be the truth is the realization of our limitations and the effectiveness of these odds that press you down with their brutal truths..brutal?, can the truth be brutal. But the truth is the God, ourselves, the batch that rules us and fashions us, after a strange decree which we fail to unravel. What do I know about mans destiny? I could tell you more about radishes. -Samuel Beckett Concerning itself with such questions is the genre of lit is the movement called T HE THEATRE OF THE ABSURD. The Theatre of the Absurd (50s) draws on the existentialist philosopher writings of jean Paul Sartre and Albert Camus. Camus adapted Dostoyevskys The Possesed to the stage (1959). Mostly, his writing was concern with the dilemma of individuals who believe that values are relative but who cannot live without moral commitment. Camus argues that humanity has to resign itself to recognizing that a fully satisfying sane explanation of the universe is beyond its reach thus the world must(prenominal) ultimately be seen as absurd. The underpinnings of the Theatre of the Absurd are derived from these existentialist ideas that led to Absurdism. Absurdism teaches, much like Camus, that, that which cannot be justified in a rational manner is absurd. Since religion requires a leap of faith(Kierkegaard) it is absurd, just as life itself is absurd. The Theater of the Absurd refers to tendencies in dramatic publications that emerged in Paris during the late 1940s an d early 50s in the plays of Arthur Adamov, Fernando Arrabal, Samuel Beckett, Jean Genet, Eugene Ionesco, and Jean Tardieu. A term coined by the critic Martin Esslin, The Theatre of the Absurd refers to the operation of a number of playwrights, mostly written in the 1950s and 1960s. Its root lie in an essay by the French philosopher Albert Camus. In his Myth of Sisyphus, written in 1942, he first defined the human situation as basically meaningless and absurd.